3/13/2011

'Flaming Bodies', Rosemary Branch Theatre

In a time that is hitting young people hard, Roar Theatre – a graduate-led production company – is producing shows that are not only ambitious, but are also executed to a high standard. And true to their name, their latest venture is sure to make a big impact in their bright-looking future.

Snoo Wilson’s Flaming Bodies, written in 1979 and ironically also at a time when young people found themselves particularly hard up, delves into the subconscious of Mercedes Mordecai, a sexually confused and recently fired American woman. In her dreams, she battles demons that she is unable to face in her everyday life, most prominently, the troubled relationship she has with her mother.

While the playwright’s narrative is complicated (and unfortunately sometimes unclear) the acting talent – all alumni of Guildhall’s acting school – showcased throughout is of a high calibre. Most strikingly so is Paloma Oakenfold, the play’s lead. Her intense and powerful monologues keep audiences interested and gripped throughout.

An impressive crew also supports the cast; credit must be given to those behind the lights as the production flowed with energy, clarity and confidence. They’ve certainly set the bar high for their next production.


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